‘What it Takes’ to Get the Shot

I was recently approached by LIFE OUTSIDE to provide a little insight into what it takes to, ‘Get the Shot!’

To be honest, it something that cannot be answered in just a few words.

It would be impossible to introduce Ian Corless, and describe his passion for photography, and involvement with ultra running better than Killian Jornet’s words in Corless’ recent book Running Beyond

However, HERE is the article. I hope you find it of interest.

I recently also wrote an article on shooting in Morocco, HERE.

For those who may be looking to travel. I am speaking in October at TRF – Trail Running Festival HERE (in Poland) – Be great to have you come and say hello!

I will also be signing copies of RUNNING BEYOND book.

Follow on:

Instagram – @iancorlessphotography

Twitter – @talkultra

facebook.com/iancorlessphotography

Web – www.iancorless.com

Web – www.iancorlessphotography.com

Image sales –www.iancorless.photoshelter.com

New website, new logo, new look – iancorlessphotography.com

Always good to shake things up, freshen up and have a new image. So after a long, almost month break in August I am back into the swing of things with a new logo.

I have also had a re-vamp of my photography website http://iancorlessphotography.com and uploaded many new images that were taken in 2017 and 2018. This website has always very much existed in the background to this (iancorless.com) website and I used it as a showcase for those interested.

Moving forward I want to push more relevant traffic to my photography website. However, don’t worry, all my race reports, writing and podcast will still be here at iancorless.com –  for many of you, you will not really experience any change other than a new logo.

Below are a few samples of what you can experience at the new photography website. If you go to the ‘Home’ page of the new site at http://iancorlessphotography.com you can actually just stay there and you will be presented with a slide show of some of my favourite shots.

Once again, thank you for the continued support. You can follow what I do on the following links:

Instagram – @iancorlessphotography

Twitter – @talkultra

facebook.com/iancorlessphotography

Web – www.iancorless.com

Web – www.iancorlessphotography.com

Image sales –www.iancorless.photoshelter.com

Morocco 2018 – Street Photography

For the first time in a long, long time. I had a holiday! Those who follow what I do would arguably say, that I am always on holiday as I am constantly travelling to photograph running races all over the world. However, I can honestly say that in the last six years, I have not been away without working. Admittedly, on one or two trips, work has maybe only been 20-30% of the actual trip. It’s still a holiday but the work element is there.

This August I booked a trip to Morocco, I put my email on auto-reply, I downloaded a couple of books on my Kindle app and I went way with the pure intention to do no work for a good 14-days. 

As a photographer, you may be thinking or asking, but did you take a camera?

The answer is quite simply, yes!

When you do what I do in, day-in and day-out, it’s almost impossible to travel without a camera. I often consider a camera just an ‘essential’ item for what I do every day, be that a holiday or not.

The key thing with taking a camera on holiday is that I can take images for the pleasure of it. No brief, no deadlines, no clients – I can shoot what I want and when I want.

I started to post 10-12 B&W images a day whilst travelling, normally on my Instagram and on Facebook. What was interesting was the amount of feedback and direct messages I received. I guess most people know me as a sports/ running photographer, so, suddenly a series of gritty B&W street photographs appear, and it makes people curios.

So, I decided to write a brief post to answer the questions that was asked. 

Street and people photography are something that I love. It’s raw, visceral, gritty and when done well should transport the viewer to the place and immerse them.

Travelling, one accepts everything; indignation stays at home. One looks, one listens, one is roused by enthusiasm by the most dreadful things…– Elias Canetti

Now there are many forms of street photography. And just to draw a comparison, I photographed in Nepal for many years, the street shots I have done there are very different to what I did in Morocco.

To clarify, I could photograph in Nepal the way I photographed in Morocco but not vice versa. The reason being, the people and the culture. The Nepali people love having their photographs taken, you can walk up to them, stick a camera in their face and take a shot. You can even ask them to move or look into a certain place. So, although it’s real, there can be an ‘element’ of set-up, however, I rarely go down that route.

In Morocco, the people are very different. They do not like having their photograph taken. Don’t agree with me? Take a camera in to the Souk in Marrakech and start pointing your camera at people – you will soon realise that it is not an option. Now of course, there are exceptions. Occasionally it is possible to do a ‘posed’ shot and I have found that my experience with 30-year’s in the business lets me know when that is an option.

Below, there are over 300-images captured in Marrakech and the coastal resort of Essaouira, I would say that approximately 10-12 images were taken with the subject knowing I was taking the photo and they didn’t mind.

The remainder of the images were taken with the subject not knowing that I was taking photographs.

THE EQUIPMEMT

Sony A7RIII with Sony/Zeiss T Sonnar* 35mm F2.8

If you look like a photographer, you will stick out and the people will already be wary of you. For street work and when travelling this way, I carry one camera and one lens.

I use a Sony A7RIII (approx £3200) which is a full-frame digital camera which produces a whopping image size of 42.4MP, when shooting in RAW, that file is over 80MP. I have found a large file allows me options to crop in to the image and still retain a high quality/ high resolution file. The camera is mirrorless and therefore considerably smaller than a DSLR, it also has Image Stabilization built into the body; super handy in low-light. The camera can also shoot at 10fps, at times, this can be super important for capturing that all-important moment.

I use a prime lens, the 35mm F2.8 – The Sonnar T* FE 35mm F2.8 which is a Sony/ Zeiss lens. The optics are incredible, focus is fast and superb and F2.8 it is pin-sharp. There are several reasons why this lens is perfect for street work:

At 35mm, it is wide, but no so wide that you can’t take portraits. I would say that for most Pro photographers, a 35mm prime has replaced the traditional 50mm prime.

The lens has a lens hood which is flush to the front element keeping the lens neat.

Its size is extremely small.

Quality is off the scale, but it is not cheap, approx £850.

That is, it. I don’t use anything else. I don’t carry a camera bag and I have no accessories. The only two additional items I carry is a spare battery and spare SD cards.

SHOOTING

This camera set up is also my favourite set up when running and photographing. The main reason being is that the camera and lens are light, the quality is the best you can get, and I can carry the camera in my hand while running. I broke up my time in Marrakech and Essaouira with a 2-day trip to climb Toubkal, the highest mountain in the Atlas range. Here are some of the shots from that trip:

Back to the streets…

I have learnt over time to view the scene with a 35mm eye. Basically, I can look at a scene/ scenario and view the scene with the viewpoint and angle of the camera. This is essential in Morocco.

Many of the shots I took, I would say 80% (with the exception of the Toubkal shots) were taken with me NOT looking into the camera. The moment you raise your camera to your eye, people stop, look, put their hands up and on many occasions will say, ‘no photo, no photo!’

The below is a classic example of the subject posing for the shot.

This shot I was looking through the camera, but the subject didn’t know I was taking the photo.

This shot I was looking through the camera.

This shot was composed and planned but the subject didn’t know.

This is why Nepal and Morocco are so different.

To shoot, I would survey a scene, view the angles and decide on the shot and then walk past with my camera at mid-chest height. With experience, I understand the field of view the camera sees and I capture the scene.

Now of course, this sounds easy.

It’s not.

  1. One has to consider focus and how one gets the ‘key’ element in the frame in focus.
  2. One also has to consider exposure.
  3. One has to consider if it is possible to make one or two attempts at a shot.

The above is actually what brings adrenaline into shooting in this way. One also has to accept that you will have a high failure rate, certainly early on. Failure rate becomes less with more experience.

SUMMARY

There are no hard rules in capturing images when working a scene. The place, the people and the location will often decide what approach you need to take. The comparisons between Nepal and Morocco provide a perfect example.

The key is to enjoy the process, have fun and learn by taking many, many shots.

All images ©iancorless.com

Follow on:

Instagram – @iancorlessphotography

Twitter – @talkultra

facebook.com/iancorlessphotography

Web – www.iancorless.com

Web – www.iancorlessphotography.com

Image sales –www.iancorless.photoshelter.com

Rockhoppin’ Trail – Ian Corless Interview

South Africa’s Linda Doke is not only a very accomplished runner but a great journalist. Recently she has interviewed her favourite photographers and I made the cut for the latest feature.

“This week’s photographer is a personal favourite. Ian Corless is world renowned on the global trail running stage, and his work matches the calibre of the high class races he has photographed over the years. I’ll always have a soft spot for this crazy Englishman – I met him in 2012 when I ran the Sierre-Zinal Skymarathon in Switzerland. The race itself was a fantastic experience, but it was the following day in the mountains that I treasure the most from that trip: Ian and I went on a five hour run/hike up into the mountains above the tiny town of Zinal, and gazed upon the Glacier de Zinal, and an amphitheatre of snow-capped mountains – Zinalrothorn 4221m, Wellenkuppe 3903m, Ober Gabelhorn 4063m, Matterhorn 4476m, Pointe de Zinal 3789m and Dent Blanche 4357m. That day carved in my memory as having the most incredible backdrop to any hike I’ve ever done!”

READ THE FEATURE HERE

Instagram @iancorlessphotography

Photography website at www.iancorlessphotography.com

Photography sales and Image Usage HERE

Shooting in the Sky

I recently wrote an article about why I switched from using Canon to Sony (here). Writing about equipment can be a little boring, after all it is just a tool that I use to do my job. However, it was my switch to Sony that prompted me to write as I felt I had finally had something to write about.

On the back of this, I was approached by Sony to write an article.

“It’s a fast course and one that compromises a photographer’s ability to not only make several points during the race, but also to reach those points. A highlight of the race coming at 3000m. I’m lucky, today I have a helicopter and it departs at 0715 – the race start coming at 0800.”

 

“My bag is packed and I’m soon on the road. I meet the mountain rescue team and before we know it, the helicopter is hovering at the summit as the team and I climb out.”

 

If you are interested, it’s called SHOOTING IN THE SKY and you can read the full post HERE.

Ian Corless – RUNNNG BEYOND Interview

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The launch of RUNNING BEYOND book has required me to do several interviews recently and some of my words and images have appeared in print. The most current edition of Outdoor Fitness has a large spread and RUNning Magazine in Portugal has a spread.

runningbeyondspread_outside

running_16_iancorless

In the coming week or so, the UK’s Like The Wind will also have a multi-page feature on RUNNING BEYOND book showing several images over 10-pages.

Like The Wind, UK

Like The Wind, UK

Several week’s ago, my good friends at Marathon Talk Podcast, Tom Williams and Martin Yelling, did me the great honour of having me as a guest on their show. I have to say, these two guys are vey much the reason that Talk Ultra Podcast started and I am ever thankful to both of them and the support.

THE INTERVIEW

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Tom: This week’s guest has been a longtime friend of Martin and myself and a longtime friend of Marathon Talk – for six and a half years now so for probably something like four years, he’s edited the audio for Marathon Talk and probably saves mine or Martin’s blushes on more than one occasion, edited out the odd rude word perhaps in there and during that time he’s also built up the amazing Talk Ultra podcast which, has gone from strength to strength to strength and he is an absolute go to for ultra-running. He is as many would say, living the dream of making his passion his career and doing a really good job of it. He’s just bringing out a book, Running Beyond, which we’ll talk about in detail. Welcome Ian.

Ian Corless: Hey Tom, thanks for having me! Feels a little weird being on this end of the microphone.

[laughter]

Tom: It’s been far too long getting you on the show and it’s nice to have the excuse of you having released your book Running Beyond – Epic Ultra Trail and Skyrunning Races. Foreword, nonetheless, by Kilian Jornet.

Ian Corless: Yes.

Tom: Tell us about the book. Before we go back and talk about this whole crazy journey you’ve been on over the last four, five, six years, tell us about the book.

Ian Corless: The book came about I suppose in a way by accident. It’s quite funny because Martin (co-host of Marathon Talk) said to me years ago, “Mate, you should do a book, you should do a book, you’ve got all these photographs you should do a book” and I did do a self-published book. But the problem with a self-published book is that you just can’t get the price of the book competitive. It just becomes ridiculous once you go to a hardback and color etc. The cost is just prohibitive. So I did a very small print run which was really for me, friends, family and a few people bought it and I used it as a giveaway to clients or potential clients and from that perspective it was a great vehicle. But then about two and a half years ago, I got approached by a publisher and they said, “We love what you do, we follow your website, we follow your photography and we think the time is right for a book”. Of course, it was music to my ears because normally you have to go hunting for a publishing contract and there they were contacting me. That was an amazing foot into the door.

The process then was deciding what that book should be and of course, because the publisher wanted to go in a certain direction, I had to adhere to some of the things that they wanted so it had to be commercially viable. They wanted it to be a coffee-table book, they wanted it to be big and utilize the photography that I had done but also it needed to incorporate my experiences going from race to race. Over the last five years six years, I’ve traveled extensively to races all over the world and basically the book is about that but it’s not an A to Z of races. It doesn’t start at A and it doesn’t finish at Z and it certainly is not a book about ‘the’ best races in the world – it’s the races that I’ve been to and experienced and, in my opinion, of what has grown my photography and my writing within the ultra-running trail and mountain world.

Tom: That’s quite an exciting thing, isn’t it? I listen to that and I think, “That’s really exciting I can’t wait to see it.” I went through a kind of process like that with a coffee table book a couple of years ago for park run, although I had no content in there of my own. I was just helping the guys do stuff but I think the guys did it really well. But for that to be your own book and your own content you must be really excited.

Ian Corless: Yes, I’ve got copies at home and it’s quite funny because the first hardback copy arrived about two months ago and you know what? I’ve not looked at it.

Tom: [laughs] You do know they spelled your name wrong on the cover, don’t you?

Ian: [laughs] I’ll be having a word with the publisher if that’s the case! I say I’ve not looked through it, I have. I’ve flipped through it. But it’s a massive chunk of my life and to actually sit down and flick through it page-by-page almost intimidates me because I won’t look at the positives, I’ll look at the negatives [laughs], and I’ll think, “Maybe I should have put that photo in” or, “Why didn’t I do this?” or, “Why didn’t I do that?” And so in a way it’s frightened me to actually sit down and look at the book now that it’s done. Because there’s nothing that I can do about it, I have to assume that myself and the publisher did a good job and now it’s left to people, yourself and the audience who are going to get it and let them decide whether we did a good job.

RunningBeyond_JKT

Tom: You have got some rave reviews. We’ll talk about your journey in a second. We talked before we started recording about you having a huge level of respect in the ultra-running community now as a really great journalist. On your website and the promotion for this book, you’ve got Nikki Kimball, US ultra-runner saying, “Ian Corless continues to be one of the planet’s foremost journalist in the sport of ultra-marathon”. Check that out.

Ian: It’s awesome to hear that type of thing. It’s flattering and we’re talking now five six years down the line and I know one of the questions you’re going to ask me is probably how did it happen and in a way I don’t know [laughs].

Tom: Mike Wolf, “If you know Ian, it comes as no surprise… he is the most motivated, talented and insightful photographer, journalists out there.” This is amazing stuff, how did you get… so we tried to get Kilian Jornet on the show a couple of times, we’ve never managed it. He is one of those few athletes that has truly transcended their sport and in a good way just does whatever he wants. I’ve got Summits of My Life t-shirts and I’m a fan of Kilian Jornet. He has moved up to that level of being just himself. But here you are with him writing the foreword for the book?

Ian: Yes.

Tom: He’s written some really kind words, “Ian’s photographs can tell you the passion of the sport, and the beauty of his images immerses you in the aura of each race.” Tell us a little bit about Kilian, how you managed to get that for a start but also what your experiences are with him as a person and what’s he like?

Ian: I first met Kilian in 2012 at Transvulcania. That was probably the key phase of how everything started for me, when things really started to take off and I began to realize that there was an opportunity for me to convert what I was doing into a business. Prior to that, I was a photographer and always have been a photographer but I was a commercial photographer shooting advertising, food, room sets, people, all those types of things. Talk Ultra, a little bit like yourselves with Marathon Talk, came out of passion and an interest in the sport. I was competing in sports as you guys did cycling, ironman, and running. I was doing this thing that was an enhancement of my life and something that took up a massive chunk of my life but when you’re doing something you love it’s never quite work, it’s never quite hard. You always bounce it off with the fun and the bonuses.

So 2012 I was invited to Transvulcania and it was a skyrunning race and Skyrunning held its conference and it was about how the sport was going to change. They invited the world’s best runners to the race, of which Kilian was one of them and he went on to place second I believe in that race behind Dakota Jones. Of course I met him and that was the first time we chatted but it was very much like meeting somebody famous and they hold you at a distance because you’re a journalist and they’re a famous runner and that was the scenario.

Tom: He is to ultra-running what Kelly Slater is to surfing or Michael Jordan is to basketball. He is the greatest of all time. I don’t think many people would disagree with that?

Ian: No. He has elevated the sport to a completely different level. He is within the very minute world of ultra-running and trail running, he is global superstar and I’m not saying that everybody on the street would know him, but certainly people who are interested in sport will know of Kilian Jornet and in recent years because he’s extended what he’s done to more extreme adventures and recently he’s just come back from Everest.

All those things click together in him being a megastar but also that brings a lot of pressures and he does get mobbed. The equivalent is imagining walking down the high street and David Beckham comes walking out in Manchester or Liverpool… He would be mobbed and Kilian is the same, particularly in Spain. He is a little bit defensive at times but over the years, because we’ve seen each other at a great deal of races, we became friends. I have that relationship with him… I don’t phone him up every week though, you know what I mean…

Tom: Ever since he got a restraining order…

Ian: Ha! Exactly, ever since he got a restraining order but if I see him we talk, we chat, we sometimes have dinner, we’ve been out for a drink. If you’re going to write a book you might as well have the best runner in the world write the foreword. I sent him an email and I said, “Look, feel free to say no, because I appreciate you get asked a lot of times for this type of thing” but he replied back and said, “Absolutely, no problem. I’ll do it”. It’s fantastic to have Kilian’s name on the cover of the book.

Tom: It’s a lovely photo that you’ve got, the black and white portrait of him looking down. It’s stunning. Let’s go back to the beginning. You knew Martin for a long time before you knew me.

Ian: Yes.

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Tom: At first I was editing Marathon Talk around the stuff I did and then we joined forces with you to launch Talk Ultra. Then in time, you took over the editing of Marathon Talk and you still do that to this day… I do visualize you editing in something like rusty twin prop plane over some snowy peaks. You haven’t done this your whole life though?

Ian: No.

Tom: …it was a kind of a career transition. You’ve already mentioned still life photography, photographing whatever it is – a bunch of grapes in a bowl? You’ve made that transition, amazing transition. What was the inspiration or motivation for that? When, why did that happen?

Ian: It’s quite simple actually. It’s 2008. This is a difficult thing to talk about because it’s about one of those moments in my life where everything changed. Everything. In summary, without going into too much detail but I’m more than happy to go into detail if you want to, I lost my job, I got divorced, my dad died of cancer and I said, “That’s it. I’m never doing anything again that I don’t want to do”.

Tom: How old were you then in 2008?

Ian: I’m 50 this year [laughs].

Tom: Okay. What’s that, eight years ago. So you were roughly 42?

Ian: Yes. So I made this decision. That’s it, I’m never going to do anything that I don’t want to do again.

Tom: What were those things? What were you doing that you didn’t want to do?

Ian: I think it wasn’t so much things that I didn’t want to do. It was I appreciated life and I’d appreciated that I had made some real gaffs in my life. I’d made financial mistakes; I’d got obsessed in sport – I am very OCD. When I’m doing something, I’m doing it. I guess that’s why I’ve made what I’m doing now successful because I can put blinkers on and I can work 20 hours a day. That is actually what’s needed to be done in the job that I’m doing at the moment. Sleep can be a luxury. But my obsessive-compulsiveness to sport, and that was participating, I’d really ruined my marriage. I had the foresight to be able to look back and think, “You’re bit of an idiot because you were never making a living from sport. You enjoyed it, you loved it and you’ve ruined a marriage because of it!” At the time my son was 12, he was old enough to understand what was going on and old enough to have some independence. But the impact on him and the impact on me was pretty bad. I missed home terribly… Plus, in 2008 also, I decided to run eight marathons in eight days, I don’t know if you remember?

Tom: When you’re under masses of pressure and stress, that sounds like a really good thing to do; not!

Ian: No. The thing was that the eight marathons in eight days was planned the year before and it was to coincide with me doing my last ironman, which I did in Klagenfurt and I think Martin was there for that. I think Martin raced Klagenfurt 2008? I did my last Ironman then I was going to run eight marathons in eight days and the plan was to run the Cotswold path all the way from the Gloucestershire to the Thames barrier. Then on the eighth day I ran on the marathon.

A little bit like Martin’s South West Coast path jaunt, my dad was going to support me and he was going to be in a mobile home. In the months, two to three months before this venture was going to start, my dad said, “I’ve got cancer”. I went through this whole process of “No, I’m going to cancel, I’m going to do this, I’m going to that” and he said, “No. You carry on. You do this for me”.

 

I remember distinctly, it’s quite a nice story in a way, it was the third day of the 8-marathons and I was finishing in Henley-on-Thames. That night was the night that my dad was going to hospital in Liverpool to have this major cancer operation. I finished my marathon, I had a car waiting for me. I drove up to my dad’s. I took him to hospital, waited during the night while he had the cancer operation, found out that the operation had gone well. I got back in the car, drove to Henley and then ran the marathon the next day. I remember running that marathon and not remembering it. I was an emotional wreck to be honest.

I had also a lot of things going through my mind about, “This is ridiculous. Your dad is potentially dying and you’re running in a marathon”. How could I justify that? So, there was all those things and to cut a long story short, you come out of the end of all this and you’re just not the same person. My marriage very quickly fell apart, my dad got a different form of cancer which eventually killed him about four or five months later, and I lost my job in October. I started 2009 basically with no home, no marriage, my dad had gone. I had a blank canvas and so I started with the priming coat and built what I am doing now from scratch.

Tom: It’s amazing. Huge! Wow… from that point to this point, it’s hugely inspirational because you did start from scratch.

Ian: Yes.

Tom: Because there’ll be people listening to this thinking, “I want to make changes. I want to do things. How do you do it?” We all look at people, we can look at your website, iancorless.com and see loads of success and inspirational content, whatever it is, but actually those first few steps are the most important by a million miles and people never really shout about those, share those. People aren’t aware of them so no one really knows where to start. Where did you start? Take me back to beginning of 2009.

Ian: For two years it was rubbish.

[laughter]

Ian: It really was because I had no money. My mom had spent her whole life with my father and then suddenly she was alone and vulnerable. I spent four months living with my mom because she needed the support. Then there came a point where I thought I had to say, “You know what mom, I’ve got to move out because this is not helping you” and also it wasn’t helping me. For four months, five months I was in a bit of a no man’s land. I was trying to get work as a photographer. I had clients, previous clients and I was getting some work but it was peaks and troughs. Sometimes you were busy, sometimes you weren’t. At the same time, sport was an escape. Of course, I got talking with you guys, with Marathon Talk, and I was helping provide you with some interviews in those early stages. I remember setting up an interview with Scott Jurek and what have you.

Tom: Yes, I remember this, I think it was Scott Jurek or it might have been Ryan Hall that you set up first. It was one of our early really good ones where you said to me, “Why don’t you interview such and such?” and I said, “Well we don’t know him?” and you said, “Have you asked?” and I went, “No. Of course not, I’ve not asked them, what a ridiculous suggestion”.

I think you asked them and they said yes! Again, it wasn’t that you were some huge well-known star, which you are now. It was actually just you were brave and bold enough to just ask people. Which a lot of it I was too scared to do. They won’t even reply to my email I thought… You had that ability to just to make things happen?

Ian: Yes, I guess so. I look back or I try and think back why did I think that would happen? I don’t know, maybe I understood the community. I don’t know?

Tom: People put barriers up there don’t they? And you didn’t seem to see those barriers. Even me I consider myself as a relatively barrier-free kind of guy but I even found just asking them to be ridiculous.

Ian: Yes. I asked them and they said yes and then eventually I said to you guys, “You know what? I think the time is now right for an ultra-running podcast, because there’s obviously demand for this!” Then I came up with this crazy concept of doing a show that’s ridiculously long and everybody told me it was a really bad idea, it would never work but actually it has been the ‘USP’ of the show. Thank God I didn’t try and do it every week, because otherwise I’d be at a mental home or an institution [laughs]. It’s bad enough trying to get a show out every two weeks because of the amount of content that I’m trying to put in it.

Tom: I don’t know how you do that?

Ian: My audience run long and so if they’ve got a show that’s three hours, four hours long they take it on their runs, and that was always my idea. I think, if I look back, that was definitely one of the really key things with the podcast, it was making it a long show because the other podcasts that existed were normally 45-minutes to an hour. You can listen to it those shows on the bus, listen to it on the train whereas I produce this show that was long, something to listen to while running long! I think that was one of the key factors of its success.

The podcast was like Marathon Talk. It was something that I was doing outside of everything else and I was still trying to make a living. But once you start contacting these people and interviewing them, you start to realize there is another world out here. As I said, I went to Transvulcania in 2012 at the invite of Skyrunning and I realized then when I was there because of my background as a photographer, because of what I was doing with the podcast – nobody else was doing this. It was that real brainwave moment! If I write, I podcast and I photograph this world, I am completely unique.

That was the moment that I then put everything together and went headfirst into creating what I’ve now created. It was hard and it was slow and it was steady. Once you’ve done one thing good then something else good then people start to ask more and invite more or request more.

I’ve always been very respectful of the runners. It’s really easy to be a fan. A classic example is Kilian. When you see him it would be so easy to go and run over to him and say, “Hi Kilian, how are you?” because he’s Kilian. I don’t do that. If he walks into a room, I’ll wave and I’ll let him come to me. I think that’s the way that I’ve always treated the runners. I just try and treat them as ordinary people.

I also have been very, very careful in what I write and what I say and how I interview them. You’ll know that you often hear things that are not repeatable because you’re having a private conversation. I’ve seen it happen where a private conversation has ended up in print or ended up in a blog or something. That is the moment that your career is over. Once you betray that trust that you’ve built up, then your career is over. So I’ve always respected that, I’ve always respected their private space and that in turn comes back a hundred fold.

I can be at a race and I’ll be having breakfast and for example, let’s say Sage Canaday walks past and he’ll say, “We’re going for a run, do you want to come?”

“Yes, okay.” That’s a really crazy thing to do because you only last about three minutes if you go for a run with Sage. But I think that’s the important thing, that although I’m a photographer and a journalist and I’m writing and communicating about the world that they are in, I’ve broken down a barrier in that yes I’m doing that but I’m also approachable, I’m friendly, and I’m somebody that they don’t mind having around, which isn’t always the case with journalists.

Tom: In that time period, fast forward now to the end of 2016 and you’re making a successful career out of something you love. First of all, that’s not always a good thing. To make your passion your career isn’t always as rosy as it sounds and sometimes people end up… and clearly that’s not the case with you but sometimes people end up no longer liking something they loved because it’s become a job and not fun. I’m interested in your thoughts on that and I’m also interested in your thoughts, without going into too many details and confidential stuff whatever it is, interested in as a business, how that is made up? Because I know having done Marathon Talk for a long time, at best, it’s made a tiny, tiny amount of money at worst it’s cost us a load and most of the time it just about breaks even in terms of costs. It’s not some golden ticket to living in Beverly Hills. You have to do it for passion. What is the business component of your business?

Ian: I learned very early on, once you’ve hit rock bottom you don’t go buy a car, you don’t go buy another house. You keep expenses at minimum and you have fingers in fires.

Tom: Fires or pies?

Ian: Fires or pies, whichever way.

[laughter]

Ian: Is it pies? Fingers in pies, okay?

Tom: Either way [laughs].

Ian: Either way, I’m sure the audience understand. So I’ve never relied on any one particular source of income. I’ve tried to make sure that I’m doing a couple of things to cover the bills if need be. I guess this is one of the reasons why I still edit Marathon Talk. Sometimes I think to myself, “I’ve got so much on and I’ve got to edit Marathon Talk” but then again I remember when I needed Marathon Talk and so I’m reluctant to give things up. Martin said to me recently, “Mate, you need to learn to say no” [laughs], but it’s very, very difficult to say no.

Tom: Slightly rich coming from Yelling!

Ian: Yes, exactly. But you’ll appreciate this and I think most people listening out there appreciate. If you go to the office at nine o’clock and leave at five o’clock and that’s your only obligation and you get your cheque at the end of the month that’s fine, but I don’t. I’m my own boss, bank holidays they don’t exist, weekends they don’t exist. It’s all time that you work and build and like you’ve said, that is one of the negatives. It’s very, very difficult for me to take time away, to take time off because I’m always thinking and when you have a website that is about the sport that happens and changes daily, it’s like having this animal that needs feeding and you have to feed it all the time. You can’t go missing for a week and not post or write something because news has happened.

One the advantages of the world that we live in is thank goodness for the internet, Wi-Fi and mobile phones – you can actually be anywhere in the world and do the job that I do. I don’t know whether I’m answering your question in the correct way but it’s about commitment, it’s about controlling to a certain extent how you start a day and end a day. That start and that end has to be really flexible with no fixed start and no fixed end and you need to fill the time.

Tom: And mixing up podcasting, coaching, speaking, training camps, publications, race coverage…

Ian: Yes, you have to have many different things. Talk Ultra is free for the audience just as Marathon Talk is. I don’t have any sponsors for Talk Ultra and I think it’s fair to say that directly from Talk Ultra, I don’t think I’ve earned anything. But Talk Ultra is a vehicle and we had this conversation years ago about the potential to make a living from a podcast, and I think it is possible but I’d have to devote myself 100% to the podcast and I’ve always had this philosophy with the podcast that I don’t want adverts and jingles. Because I think, from a listening point of view, what would I want to listen to? I wouldn’t want a jingle every 15 minutes, because it would be like turning the TV on and watching the film on ITV and then the commercials come on. I hate it. I don’t want that for the podcast, and although I’ve had conversations with sponsors in the past or potential sponsors, that would’ve been what would have had to have happen, so I didn’t do it. That maybe is a mistake, I don’t know but Talk Ultra has become a vehicle for what I do and it’s an outlet, and it keeps me in the environment that I need to be in not only with the runners, but with the community and the audience, and that’s invaluable. That connects me with everything else I do so when I go to a race, I can get content for the podcast at a race. I can provide a service to a race in the sense that I can give them exposure. That’s all into connecting with the business side of photography and writing.

Tom: It’s amazing. We’ve had various partners on the show on Marathon Talk, and in various things I’ve done we’ve had various shows and sometimes you do think, “I’m not enjoying this component of what I do now because of x, y, or z”. Actually the more you can stay true to your principles the better… I would argue though that you will always struggle to commercialize a five-hour podcast.

Ian: [laughs]

Tom: But commercializing isn’t your primary goal. Your primary goal is to do something you really love, you really enjoy, that people you respect really love and really enjoy what you do, and then turn that into a career as opposed to the former.

Ian: I think about moments in the podcast and you said this to Martin some time ago, but I think it was a significant episode of yours. Maybe the 300th, or the 250th, or something. I remember you saying to Martin, “You know what? I’m really, really proud of what we’ve got because even if the show stopped tomorrow, we have documented an era of sport that is there for lifetime.”

I think about some of the things that I’ve got. I interviewed Kilian when he set the fastest known time to the summit of the Matterhorn – I interviewed him the day after. I think about that interview and I think, “That is gold.” That is a pure piece of gold that can be listened to at any point. I interviewed Scott Jurek and his wife, Jenny for over an hour after they set the record on the Appalachian Trail last year. I think to myself, an hour of getting into the mind of Scott, you can’t put a price on that type of thing and I think that’s why the show works. If an interview takes 90 minutes, it takes 90 minutes. Of course, I might edit it down but the point is you can go so deep and get so much information in that time that you can’t get that anywhere, and I think that’s one of the advantages of Talk Ultra, and I think that’s why the audience like it.

Tom: I’m absolutely sure you’re right. It’s so rare to get good quality, in-depth content about people. So much of what we do now is snippets, and 30 seconds here, and as much as I love BBC and so on, it’s very rare you get in-depth with one person, and maybe on multiple occasions. Some of my proudest moments, the things I can share is the interview with Chris Chataway, or Martin’s show with Sammy Wanjiru, people who aren’t with us anymore. In that form, that’s documented not only just for a lifetime but forever, that’s out there digitally as in-depth stuff. When you look at that whole journey you’ve been on in for the last six, seven years, what are some of the highlights? Tell me about a couple of the moments… When you look back, there must have been some moments where you just had to pinch yourself and say, “I can’t quite believe I’m stood here doing this.”

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Ian: To be honest, and this is going to sound quite corny but it happens almost every month and sometimes it happens every week. I never take what I do for granted and I look at the amount of time that I’ve spent on the road in one year, and the places that I’ve been. This is going to sound like name-dropping and I guess it is name-dropping but this year alone, I’ll have been to Costa Rica rainforest, the Sahara, Nepal, to Everest, South Africa, Australia, and I just think… you said at the beginning of the show that you’re living the dream, and yes. I’m sorry, but I do actually think that sometimes I am living the dream. But it’s not easy and there’s a big price to pay for that. I’m in a relationship and that makes a relationship very, very hard when you spend so much time on the road.

But key moments, I remember 2012, when all this started. There’s a mountain race in Italy called, Trofeo Kima, it’s one of the ultimate races. It takes place at high altitude, 3,000 meters, the course is ice, glaciers, rocks, via Ferrata. It’s just the most extreme race. I turned up at this race and I thought, “How on earth am I going to cover this race?” It’s 50 odd kilometers. Kilian can win the race in six and a half hours. How am I going to get around? They said, “Here’s a helicopter” and basically I just leapfrogged the course in a helicopter. The helicopter couldn’t land so we had to hover above the mountains and I had to climb out of this helicopter while it’s hovering, and then I’d have to run on the course, take photographs, run back, get on the helicopter, move to the next place. That was a real pinch moment. Marathon des Sables with Sir Ranulph Fiennes – daily going in to see him in the morning, seeing him at night, and chatting to the real James Bond. Ranulph Fiennes is the real James Bond. The guy is incredible. Here he is, one of the oldest competitors ever to complete Marathon des Sables, and of course Kilian. Kilian is an easy, a very, very easy name to drop but he is a legend. I’ve been at some of those key moments when he’s created a piece of history. He didn’t invite me to Everest though which was a bit disappointing.

Tom: Rude, I’d call it.

Ian: Rude.

Tom: Downright offensive.

Ian: [laughs] I don’t think I would have lasted very long at six, 7,000 meters with Kilian.

Tom: Yes, keep up with those cameras on your back.

Ian: Yes. It’s very difficult to pick races and people. There’s a race in South Africa called, the Richtersveld Transfrontier Wildrun, and it takes place in one of these remote places on the Namibian border. The race actually crosses the Orange river, goes into Namibia. It’s one of the oldest places on the planet, the landscape is amazing. You spend a night in the middle of nowhere in a tent, looking up at the amazing South African skies and you think, “Wow. I’m actually here working.” It’s just moments like that. Like I said, I never take anything for granted. Tomorrow, I go to Italy and I’ll be on Lake Garda, and I’ll be working in the mountains behind Lake Garda, and that almost becomes just an ordinary weekend. But I still get on the mountain, and I look down, and I look at the lake and I think, “Look at this, this is my office. This is today’s office. This is amazing”.

Tom: A really interesting thought about hobbies. He says picking himself up… but an interesting observation of mine from running is that we separate the rest of running from ultra-running, the ultra-running seems to have done, in my opinion a really, really great job. A bit like cycling, of positioning itself as an aspiration or the aspiration is to see beautiful places, meet wonderful people, build friendships, be outside and it’s seen as enjoyable for its own sake, for the fact of doing it whereas the rest of running has got so fixated on times and have you done a marathon? And what’s your PB? It forgot, in my opinion, the rest of running forgot about the nicer things. Running is almost unique, I would say, in that you ask most runners if they enjoy running, most of them will say, “No” and they’ll come out with, “Well, I can eat cake at the weekend” or something, whatever it is. They don’t really enjoy it, whereas ultra-runners, it seems to me, have got it right and they are actually in the moment. For example, we’re talking about what are your best experiences are and they are amazing, bucket list experiences that actually anybody can do. Most of these races anybody can endure, anybody can take part and anybody can have the same experience.

Ian: You are exactly right. The sport is changing slightly, you know the FKT, fastest known time is becoming more and more popular, but it’s still taking place in the stunning location in an amazing environment. An FKT is about a runner setting something against a clock in a place and it’s the place that actually is really significant. Just this last weekend, a runner called Jim Walmsley set a new record in the Grand Canyon, running the rim-to -rim but also doing the rim-to-rim-to-rim, which is out and back. The Grand Canyon as a location is a stunning place and the speed that he ran is just absolutely phenomenal, but it was him in his environment testing himself and the point is that with an FKT, an FKT is personal. You can have your own FKT, your own fastest known time and that is great! As somebody who was competitive in terms of competitive with myself, not necessarily competitive within the sense of being elite but I always tried to do my best and a few years ago I started to get chronic knee problems and that has seriously impacted on what I can do. So FKT’s and personal journeys are great. I get asked all the time, “Ian, do you miss racing?” and I say, “No.” because I’m in the domain, I’m with the runners, I’m at races, and yes all right I’m not racing myself, but I’m still getting a fix. I can still be on the mountain, within the landscape – I just do things now at my pace, at my distance because the two are connected.

If I get a day free before a race or a day free after the race I can go out on the race course and experience what the runners are going to experience in the race, but in my own time and then I can come back and talk to them and say, “I went up today and I did the vertical kilometer and came back down.” And they don’t ask, “Oh, what time did you do?”, they’ll just go, “Oh, cool, so you managed to find some time to get up there, yes the mountain’s stunning, isn’t it brilliant?” That’s the type of scenario that that we’re in. I think it started to get clouded a little bit with some prize money that’s coming in, and of course UTMB last year, we had the first EPO case which has raised alarm bells and then we’ve got the craziness of people like Rob Young. Underneath it all, Rob is a person and why did he think he was going to get away with it? You actually have to think, what was the reason he made that really bad decision? With the amount of scrutiny he was going to get… he wasn’t even a good liar. Why would you try and run a sub-three marathon when you’re running three thousand miles?

Tom: Unfortunately, I think a lot of these things slide, they start out with the best intentions, they get carried away and then they just bend things a little bit because actually it’s a good outcome… Raising money for charity or whatever it is and actually the mind’s very clever in saying, “Well, that’s all right, you’re doing that for the right reasons” and then once you’re on that slope you just get tangled up and it runs away with you, doesn’t it?

Ian: It’s like Lance.

Tom: Exactly.

Ian: Lance, still to this day didn’t do anything wrong. That’s his viewpoint. He didn’t do anything wrong, because everybody else was doing it. And he still believes that.

Tom: And I understand that, I don’t agree with it, but I understand that and I think I think sometimes we don’t understand how people’s minds work, how things change over time, how motivations can blur things up and it’s crazy…

Tom: A bit of a cheesy question but I think a really interesting question. If you were, let’s take you back 30 years or 20 years and you’re 20 or 30 years old and you’re in the absolute shape of your life, fighting fit, but you know what you know now, so you know all the races you’ve been to, you’ve seen them firsthand, if you could be in the form of your life just once and go to one race and absolutely smash it to pieces, where would you go?

Ian: That’s a really tough one. Can I give you two answers?

Tom: You can give me two answers.

Ian: Okay. From an ultra-running perspective there would be an obvious choice because you would go where you would have the biggest audience so that would be something like UTMB, because that’s the big showcase. If you won UTMB then you’d get all the plaudits and the slap on the back and equally something like Western States. It’s a much smaller race, but it’s completely respected in the community.

Tom: Comrades if we’re going on the road?

Ian: Comrades if you’re on the road equally. Mountain UTMB, trail Western States, road Comrades. If you could have your day and be up there and fighting with a chance for the podium one of those three races would be incredible. But if I could just go to a race and just have an absolutely fantastic time and feel brilliant, I’d probably choose a multi-stage race, like marathon Des Sables or Everest Trail Race because what I love about those races from a working point of view and from a running point of view is that they are journeys. I love to be in this place where they have a start point and a finish point and the way that you move through that landscape is by foot. Most of the time all the modern gizmos are gone because you’re self-sufficient, so your phone won’t work and it’s pointless carrying it, because it’s just weight, you’re eating around campfires, there’s no TV, there’s no music, there’s nothing and it’s primal.

When I work on those races you come out of those races and you think, “That was just a transformative process”. I often interview runners who’ve gone through that for the first time and it’s changed their lives, they are not the same people who went in the race when they come out. They’re different, and it often changes what they do and for a lot of people it can be that point where it was for me in 2008, they come out of the desert or the mountains and they say, “You know what? I’m going to change my job and I’m going to find a way to give myself either more time or more money or whatever it is, but allow myself the freedom to do more of this, more adventures, more exploration”.

Tom: You’re talking about life changing and so on, some of your guests have changed my life. You interviewed Barry Murray in a really fascinating interview and we ended up getting Barry on our show and then Barry ended up working with me for a year, helping me with my nutrition and lifestyle stuff. There’s actually, selfishly, there’s things that come out of the stuff we do that actually helps us. Have there been examples, cases with the people you’ve met and interviewed who they’ve really moved your life into another direction as well?

Ian: Yes, I think there’s people that have inspired me in racing and the top-end runners inspire me all the time, but it’s really the mid-packers and the back of the packers that are the true inspiration because you know, Scott Jurek or Karl Meltzer or Emily Forsberg or whoever it is, they’ve got that natural innate ability that makes them a supreme being and then what they do with that talent is they nurture it and they train it and they become better but the natural ability is there. What I’m always amazed at is when I go to a race and I see the back of the packer and I look at them and I think, “Why are you doing this race?” Because even if it’s a good race for them, they are going to suffer but they actually embrace the journey, they embrace the process and I always tell a story about Marathon des Sables to provide perspective. There’s a British guy called Tobias Mews who I think you know, Tom? He was the highest placed Britain until I think James Cracknell beat him…

Tom: 12th place or almost there I think.

Ian: Yes, I think up until that point Tobias had been around about 18th or 19th. I went to a talk where Tobias was speaking with his best friend. They were both in the army or should I say they were both ex-military and they’d both worked in the same regiment. Tobias stood up and he said, “I just want to tell you a story about the perspective of the Marathon des Sables.” He said, “I finished the whole race in around about 22 hours for the whole race. Whereas my friend here did just the long day in 36 hours.”

Just the long day in 36-hours and his finishing time was something like 60 hours, almost three times longer than Tobias!

It’s that perspective that I see every single time I go to a race. The front people are the front people, they’re fast, they’re gifted, they’re talented, they’ll have the highs and the lows but it’s all the ones at the back who are putting one foot in front of the other. I think if you can take that motto into whatever you do daily… There’s always going to be somebody better than you but you have to keep going forward, you have to keep pushing, you have to keep putting the commitment in and if you don’t put the commitment in then it’s a DNF and you don’t finish. That’s the same whether it’s work, family, relationships, whatever. So I don’t think there’s any one significant person, although there are many interviews that have really changed me but I think as a global thing, it’s the experience of what people go through to achieve their own personal goals – I think that’s the most inspirational thing.

Tom: Finally, of course, I can’t let you go without asking you a question. You’ve edited and listened to this show every week for the last four years or something like that, so you know it intimately. Let’s cut straight to the chase – six months, perfect training on the track, one mile… how fast?

Ian: Can I have somebody else’s knees?

Tom: Somebody else’s knees, yes.

Ian: I knew this question was coming and I didn’t think about the answer.

Tom: Have you done any timed run in the last year?

Ian: No.

Tom: No? Okay. Nothing to go off?

Ian: My last marathon was Paris three years ago and I ran 2:53. So that’s what?

Tom: 6min 30s pace?

Ian: Yes, it’s about that… I’d say I’d probably be lucky to get a 5:30!

Tom: That would put you with Rich Castro, Frank Shorter, Kirk Parsley, Simon Weir etc. I think that sounds about right, you happy with that 5:30?

Ian: Yes, I think so. It does hurt me a little bit because I know that you hit five minutes. I’m tempted to say 4:59 [laughs]. I think I’d be pushing the boat out for a 4:59.

Tom: Well, I haven’t got your knees, my knees work. It’s the difference.

Ian: I should try with Kilian’s knees shouldn’t I?

Tom: Absolutely! Look, it’s been an absolute pleasure talking, thank you for sharing your amazing story or inspirational story. Apologies that it’s taken so long but it was worth the wait and I can’t wait to get my copy of the book, Running Beyond.

Ian: Yes, I’m sure there’s some non-signed copies out there as well if you want one. 😉

******

Many thanks to Tom Williams and Marathon Talk Podcast for allowing me to transcribe the interview for my website. RUNNING BEYOND book is available worldwide HERE

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“Ian has been there to witness the stories. He knows the sport, he practices it and he has been involved in many different aspects, all of which provides him with a great overview. He has the strength and character to work many hours, even practicing his own ultra with cameras in order to capture the emotions and the passion from inside the sport. Ian has immense enthusiasm, and his commitment to following a race knows no bounds.”

 

“Ian’s photographs convey the passion of the sport, and the beauty of his images immerses you in the aura of each race. We are able to feel what the runners have felt, and it is the closest you will get without being there yourself. It is a great journey, and one that you are able to follow yourself in Running Beyond.” – Kilian Jornet

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As a final note, I need to give a huge thanks to my soul mate Niandi Carmont who has been a rock since 2009 and supported me on my journey in the world of trail, mountain and the ultra world – without her support and continued support this journey would not be possible. Thanks!

Niandi running above the clouds in what feels like our second home, La Palma.

Niandi running above the clouds in what feels like our second home, La Palma.